Lion King Feeling the Love at the Benedum in Pittsburgh
by
Good News Reporter, Joanne Quinn-Smith
Hakuna matata: Means no worries and you truly will leave the theater with no
worries after this presentation. There
is almost too much going on with performers coming through the aisles and drummers
in the balcony boxes. What an event of
sound and sight and experience.
What a mix of visual and audio entertainment Director Julie Taymor
has put together. My five year old was
mesmerized even though it was a long show and she wanted to go to sleep she
just could not. I asked her the best
part and she told me it was the young Simba and Nala played by Jordan Hall and
Nya Cymone Carter, what wonderful delightful young performers. She loved Simba in “I Just Can’t Wait to Be
King.”
Personally I hate it when the bad guy gets less applause than the
Musafa |
One of the two strongest performances was given by Steven Taylor as Mufasa Simba's father, Sarabi's husband and the former King of the Pride Lands; a righteous, wise, and kindhearted leader, but admirably powerful and courageous as well. Idolized by his son, with whom he shared a strong bond, Mufasa was envied immensely during his lifetime by his wicked younger brother Scar, who furiously conspired against his older brother in an attempt to end his reign and seize the throne. To the devastation of a young Simba, Mufasa was violently trampled to death by a massive stampede of wildebeests arranged by Scar while attempting to save his son's life. This lead to Scar's tyrannical kingship over Pride Rock after he convinced Simba he was responsible for his father’s death and that he should run away from home.
Rafiki |
But
my favorite character and the strongest performer of the Lion King is Rafiki
played by Bron Liniwe Mikhize. Rafiki is
an erect walking mandrill so can use many props like gourds that other
characters cannot. What a breath of fresh air, talent, energy and
symbolism. During the musical Rafiki
sings a nonsense chant: "Asante sana, squash banana, wewe nugu, mimi
hapana." This is a Swahili playground rhyme which translates to
"Thank you very much (squash banana), you're a baboon and I'm not!"
Like "hakuna matata" (no worries), the chant was heard by the
original filmmakers on their research trip to Kenya.
Rafiki
performs shamanistic services for the lions of Pride Rock so his chanting just
fits in.
The
costuming is amazing as many of the animals portrayed in the production are
actors in costume using extra tools to move their costumes. For example, the
giraffes are portrayed by actors carefully walking on stilts. For principal
characters such as Mufasa and Scar, the costumes feature mechanical headpieces
that
can be raised and lowered to foster the illusion of a cat
"lunging" at another. Other characters, such as the hyenas, Zazu, Timon,
and Pumbaa, are portrayed by actors in life-sized puppets or costumes. My
granddaughter especially loved the stage personnel in conical Asian hat, sedge
hat, rice hat, or paddy hats who skillfully flew the
birds on stage and through the audience at the end of long sticks, simply a
symphony of motion in my opinion.
Seats are still available for Disney’s Tony Award-winning The
Lion King, presented by the Pittsburgh Cultural Trust and
PNC Broadway Across America at the Benedum Center for the Performing Arts. The
show runs through Sept. 29; times vary; $65-$115; 412/456-4800, trustarts.org
The cast |
But whatever time you attend you will leave humming either “Circle
of Life” or “Can You Feel the Love Tonight?”
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