Witnessing Unmatched Musicality
Review of the Pittsburgh Symphony Orchestra's
Joshua Bell and Symphonie Espagnole Performance Feb. 28th 2014
From: Roving Pittsburgher Report and PositivePittsburghLiveMagazine.com
Written By: Hank Walshak | March 1, 2014
(photo credit: Sussie Ahlburg 2012)
For me, watching Joshua Bell is like viewing a professional tight-rope walker quickly skip along a 60-foot rope hundreds of feet in the air, and doing somersaults on the rope at the same time. This kind of doing the seemingly impossible happens only a few times in one’s life, and Bell’s execution was one of these rare times in my life.
To say, he performed the violin solo, would be to vastly understate his performance. He played through the Symphonie Espagnole as though the notes, the phrasing, the melodies, the movements emerged from somewhere within him, not from Lalo’s score. He played as though born into the music, moving forward to punctuate hard-hitting parts, moving back to elicit the more subdued sections of the piece.
Lisa Marie Mazzucco)
A brief look, eye to eye now and then, was all Bell and Maestro Noseda as they worked in synchronistic togetherness during the performance. Just as Bell’s body moved in resonance to each symphony part, so too. Noseda physically conveyed his musical intentions to the orchestra by his deft, dance-like movements. He attacked the piece with all the agility he could muster and moved slowly from side to side to convey more lyrical intonations to the orchestra.
Watching Bell and Maestro Noseda was like seeing two, Olympic athletes move in unison as they performed feats of precision one could hardly believe. They complemented each other so nicely without ever once stealing the sunshine away from the other’s performance.
How fortunate for us in the audience to experience these two musical geniuses performing together in a not-to-be-matched rendering of Eduouard Lalo’s Symphonie Espagnole for Violin and Orchestra.
Saturday, March 1st | 8 PM | Heinz Hall
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