I went to see Sister
Act, the Movie in 1992 armed with twelve years of Catholic Education with the
Penguins as we called them but more reverently, the Sisters of the Immaculate
Heart of Mary or IHM. I went with the
same armor but a little more jaded and the laughter came more easily as the
sting of the stringent years and the smile of the loving care of the sisters of
the IHM wore off. I wanted to write
this review much sooner but unlike the holy water in the Catholic Church, the
bottled water that I took to the musical on opening night did not ward off the
flu.
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The Glorious Nuns ensemble, voices raised! Photo, Joan Marcus |
If you were going to
Sister Act, the Musical expecting to see the same plot as the movie and hear
the same songs, then you got a pleasant surprise. You will not hear “My Guy” or “I Will Follow
Him.” You will however hear a Comic rendition of “It’s Good to Be a Nun. You will not hear “Rescue Me” but you will
hear a rousing rendition of “Take Me to Heaven.” "If
My Sister's In Trouble" is suitably replaced by “Sister Act”
And then there is irreverence with “Lady
in the Long Black Dress” and “When I Find My Baby” by the gangster Curtis played
by Kingsley Leggs. He was so good as
Delores’s murderous boyfriend that at the finale, everyone got rousing applause
except him. He was the villain you loved to hate even after the play was over.
I found it delightful that Delores
in the beginning of the musical downplays her energy and feistiness but really
comes into her own in the habit of a nun as the director of the choir. Well done Ta’Rea Campbell.
Other characters who were larger than life Sweaty
Eddie played by Pittsburgh native E. Clayton Cornelius, big voice on a not so
large guy and his comic antics were titan. Absolutely the best casting however was the Mother Superior
played by Hollis Resnik with her classical voice and almost Shakespearean
portrayal which makes it even more hysterical when she takes the stage in the
finale in a sequined habit to dance with Delores Van Cartier. But kudos also have to be given to the
casting of Lael Van Kuren as Sister Mary Robert—truly a little girl with a big
voice who shined in “The Life I Never Lead.”
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Finale Sisters in Sequins, Disco Madonna, photo by Joan Marcus |
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The Somber Scenery except for the church makes quite a statement with
the Disco Madonna in the finale and the silver sequined nun’s habits. Richard Pruitt’s Monsignor O’Hara was
inspired with his Barry White imitations.
And Sister Mary Patrick (Florrie Bagel) and Sister Mary Lazarus (Diane
Findlay) gave new meaning to madcap hysteria and anachronistic rapping respectively. Because of them if you weren’t smiling when
you entered the theater you were definitely smiling on your way out.
The Audience laughed out loud at Sister Act especially at the end with the
Disco Madonna and the nuns dressed in silver sequin habits in the finale. As the preview by-line stated:
“A sparkling tribute to the universal power of friendship,
SISTER ACT is reason to REJOICE!”
Radio Host and Serial Blogger, Joanne Quinn-Smith is the host of
PositivelyPittsburghLive™ Internet Talkcast and TechnoGrannyShow™ On
her shows, Joanne has interviewed over 1800 guests. As an advocate for
small Business, she was awarded the National Small Business
Administration Journalist of the Year Award. She is also the publisher
of PositivelyPittsburghLiveMagazine.com which is a 2010 National Stevie
Award finalist for best Media Website or Blog. PPL Mag features the GOOD
NEWS, about Pittsburgh and is Pittsburgh’s First internet radio and
TV network. PPL Mag attracted 2.25 million visitors last year. Her
radio network has accumulated over one million listeners. The Creative
Energy Officer of Dreamweaver Marketing Associates, Joanne also teaches
her online media platform building to small businesses in a client
personalized, “Web2.0 Gorilla Branding Training™”. Connect with Joanne
at: http://joannequinnsmith.com
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