Roving Pittsburgher Report: A Resounding Musical Pastiche of Not-To Be Forgotten Hollywood’s Good Guys and Bad Guys by the PNC Pops

Title
Review of _Heroes and Villains at the Pittsburgh Symphony 
From:  Roving Pittsburgher Report and PositivePittsburghLiveMagazine.com
Written By:  Hank Walshak

Heroes and Villains

A Resounding Musical Pastiche of Not-To Be Forgotten

Hollywood’s Good Guys and Bad Guys by the PNC Pops

By

Hank Walshak

Even the most demanding film buff had to be pleased with Heroes and Villains, Conductor Lucas Richman’s October 18 pastiche of film-music nostalgia. OK, to be more specific, the 18 pieces on the Heroes and Villains program carried me back to Hollywood’s depictions of the good guys and the bad guys in films.

Lucas Richman via Pittsburgh Symphony blog

What was not to like? The opening piece, Rossini’s “Finale” to the William Tell Overture, launched long-forgotten memories of that good guy, the Lone Ranger. The program’s conclusion, “The Imperial March” by John Williams from Star Wars, recalled the frightening presence of that bad guy, Darth Vader, from Star Wars.

Musical master, Richman, lived up to his conducting  and recording reputation for film scores like the Academy Award nominated, The Village, As Good As it Gets, Face/Off,  Se7en, Breakdown, The Manchurian Candidate, and Kim Kittredge: An American Girl. In 2010, at the request of John Williams, Richman led the three-month tour of Star Wars in Concert.

To add to our pleasure, Richman introduced each piece and flavored his articulation with descriptions of the many artists he‘d worked with over the years.

The PNC Pops was in ultra-fine fiddle, if I may say so, playing a variety of musical memory rousers. These included not-to-be-forgotten masterpieces like the “Parade of Champions” from Ben Hur, the “Love Theme” from The Godfather, and music highlights from Rocky.   I remembered how Bernard Herrmann’s slicing and chilling “Narrative for String Orchestra” from Alfred Hitchcock’s Psycho. frightened me away from taking showers, but for a short time only.

Sheena Easton, vocalist

The highpoint of Heroes and Villains came in the presence and vocal mastery of Sheena Easton. I loved her rendition of “Nobody Does It Better” by Marvin Hammlisch from The Spy Who Loved Me and Bill Conti’s “For Your Eyes Only” from the movie For Your Eyes Only.

A six-time Grammy nominee in the US, Easton is a two-time Grammy Award winner, winning Best New Artist in 1981 and Best Mexican-American Performance in 1985, for her duet with Luis Miguel on the song "Me Gustas Tal Como Eres". And let’s not forget that she’s sold more than 20-million albums and singles worldwide.

“Heroes and Villains” presented my first opportunity to listen to the Pittsburgh Symphony Orchestra Student Chorale, whose members include young men and women vocalists in grades 10 and 12 and college singers.

What a treat it was to hear their youthful voices interpret John Williams’s pieces—“Battle of the Heroes” from Star Wars: Episode III: Revenge of the Sith” and “Dry Your Tears, Africa,” from Amistad. Under the Direction of Christine Hestwood, these young men and women touched my heart with their professional, vocal accompaniment.

One segment in particular of Heroes and Villains caught my attention--the “Overture to Tarare" by none other than Antonio Salieri, contemporary of Wolfgang Amadeus Mozart. Before this, I had never experienced Salieri’s music on a symphony program. Herr Mozart, I thought, would have been amazed beyond measure had he witnessed this. Truly!

By:  Hank Walshak
Good News and Cultural Reporter

Hank Walshak, Founder and President of Walshak Communications, Inc., helps experts to be read, be heard, be seen, and be known. He assists experts in creating and delivering expertise-related content to differentiate themselves as experts.

He empowers experts to creatively articulate themselves and to stand out in the scarce space vis-à-vis their competitors in the markets they serve. He is adept at helping executives and business owners communicate their ideas in ways that energize and stay with their audiences.

Family Night at the Symphony is a Home Run Review of Triple Play the PSO's Aug. 2nd 2014 Performance

Family Night at the Symphony is a Home Run
Review of Triple Play the Pittsburgh Symphony Orchestra's Aug. 2nd 2014 Performance
From:  Roving Pittsburgher Report and PositivePittsburghLiveMagazine.com
Written By:  Stephanie Curtice  |  Aug. 02, 2014

The Pittsburgh Symphony Orchestra closed their 2014 summer season on Saturday, August 2nd, with a concert entitled Triple Play.  For a baseball loving family, we thought the concert was a home run.  With my partner’s children visiting for the summer, this was a great concert to take the whole family to.  It featured opera and operetta overtures in the first third, a stunningly played piano concerto in the second, and for the final third movie music from some of our favorite action blockbusters.  Now I normally report mostly on the music and just a little on the experience, but for this review I will share how fun it can be to take the whole family to the symphony.

We have only been here for a year, so this was the first opportunity to bring the kids to Heinz Hall and it was so fun to see their reaction walking into the beautiful hall.  They were in aw just as we were the first time.  But the most quote of the evening came as we were getting seated.  We had two sets of seats: two media seats fifth row/stage left, and four towards the back/center section/isle seats - still main floor mind you.  First, we got Dad (Mike VanStipdonk), Martin (15), Josie (13), and Quinn (10) seated and then Nina (7) and I proceeded to find our seats.  After we at least located them I asked Nina if she wanted to go back and hang out with the rest of the family until the concert started.  She replied, “No I don’t think I want to go way back there.  These seats are WAY better.”  And with that we now have a seven year old, prime seating connoisseur.  Instead we practiced reading the concert notes, which proved to be very good concert preparation even for her.

Christian Capocaccia
(photo courtesy: PSO)

With a countdown of the side stage doors closing one by one, we were tuning up for our first family PSO experience.  As a result of her pre-concert reading, Nina was able to point out the evil dwarf played by the basses in Glinka’s Overture to Russlan and Ludmilla.  Next was one of my favorites of the evening, Franz Von Suppe’s Overture to The Beautiful Galatea.  Nina thought she might have been familiar with the third piece, Intermezzo and Barcarolle from The Tales of Hoffmann.  But at its conclusion, said “Maybe I know one of his other songs, because I did not know that one after all.”  To close out the first section of the concert, the PSO played Rossini’s Overture to William Tell.  Guest conductor Christian Capocaccia playfully reminded us that we should also recognize it from many cartoons, like Looney Tunes.  During this piece Nina nudged me and perceptively pointed to the words thunderstorm, countryside, and triumphant return during each of the respective sections.  During the first intermission we met up with the rest of the troops for a leg stretch and work out the wiggles walk.  Quinn noted that he heard lots of cymbals during the Bugs Bunny song.

Xiayin Wang
(photo courtesy: PSO)

Next on deck was Ravel’s Concerto in G major for Piano and Orchestra.  As we readied for the second part of the concert and enjoyed a rootbeer barrel, Nina noted how beautiful the pianist Xiayin Wang is and that she studied from another person named Nina (Svetlanova).  Miss Wang played exquisitely.  The program notes used the perfect words to describe each of the movements, the first sparkling, the second graceful, and the third whirling.  Wang’s care in how she played each note was stellar and her interaction and balance with the PSO was perfect.  As we got up for the 7th inning stretch (yes, exactly after seven movements) Nina again pointed out how primo our seats were and that we could actually see Miss Wang playing each note even in high heals and a pretty purple dress with sparkly gems.

Reluctantly Nina, shared her great seats with Martin and Josie for the last section of the concert.  Leading off was a Medley from Pirates of the Caribbean by Hans Badelt and then Hans Zimmer’s Music from Batman: The Dark Knight Rises.  And finally, as maestro Capocaccia pointed out, no movie music section is complete without John Williams.  The concert concluded with Suite from Star Wars including The Imperial March, Princess Leia’s Theme, and the Main Title.  Watching the older kids from afar made Mike and me smile to see how engaged they were enjoying the music.

As we were exiting the concert hall we got many compliments on how well behaved everyone was and that we brought them at all.  As a note to other parents who might be thinking this all happened in the twilight zone of perfection… the evening was not without little reminders to not have our feet in the chairs or that you can read the program but not whip it around like a fan.  We took potty breaks, exploration walks, and had a piece of hard candy before the show and at each intermission.

There was something for everyone in the family at our night at the symphony.  Other than the music being “very pretty” and the PSO being “really good,” the kids noted the hall is beautiful, the 12 chandelers are “very sparkely,” the main stair case is “really old and cool,” and the small round red couch in the ladies lounge is “so fun.”

On the ride home, we went around the car and all shared our favorite pieces from the concert.  Here are the final stats:
Nina (7) – Overture to William Tell AND Star Wars: The Imperial March
Quinn (10) – Star Wars
Josie (13) – Medley from Pirates of the Caribbean
Martin (15) –  Music from Batman: The Dark Knight Rises
Dad – Ravel Piano Concerto and Star Wars: The Imperial March
Miss Stephanie – Overture to The Barcarolle and Ravel Piano Concerto

So if you are on the fence about taking your children or grand children to the symphony, our advice is to take them.  It is an experience they will always remember, and you will too.  The PSO has two great series that are extra family friendly PNC POPS! And Fiddlesticks Family Concerts presented by Macy’s.  As for our experience, we all thought our evening at Heinz Hall with the Pittsburgh Symphony Orchestra was an out of the park home run.


Fiddlesticks Family Concerts presented by Macy's – Recommended for children ages 3 to 8
Introduce your children to music at these special Saturday morning concerts with your world-class Pittsburgh Symphony Orchestra!  During the pre-concert DISCOVERY TIME ADVENTURES, children will have the opportunity to sing, dance, create a take-home craft, meet musicians and listen to stories – all unique to each concert.  PittsburghSymphony.org

PNC POPS! – Rated E: For Everyone
Welcome to a season of big pictures, accompanied by big sounds. Popular movies, beloved Broadway musicals, animated Disney adventures, successful television shows and award-winning jazz artists take front and center stage in the 2014-2015 season of PNC POPS! It's entertainment for the ages. For all ages.  PittsburghSymphony.org

By:  Stephanie Curtice

Good News and Cultural Reporter
PositivelyPittsburghLiveMagazine.com
RovingPittsburgher.blogspot.com
TheNewGirlintheBurgh.blogspot.com
(c) PositivelyPittsburghLiveMagazine.com 2014

Roving Pittsburgher Report - My Favorite PSO Concert!!! Review of PSO's Vivaldi's Four Seasons, Mozart, and Haydn Concert, June 1st 2014 Performance

My Favorite PSO Concert!!!
Review of PSO's Vivaldi's Four Seasons, Mozart, and Haydn Concert, June 1st 2014 Performance
From:  Roving Pittsburgher Report and PositivePittsburghLiveMagazine.com
Written By:  Stephanie Curtice  |  June 02, 2014

I’ll lead this review off with the tweet that I sent right after the Pittsburgh Symphony Orchestra’s Sunday, June 1st 2014 performance.  “Today was my favorite @phgsymphony concert of the season!  3 great pieces. Ye-Eun Choi was stunning. Loved Loved Loved Nicholas McGegan!”  And, that pretty much sums it up.  In my first PSO concert and review on Jan. 17, 2014 I wrote, “Now of course, I should let on that I’m partial to this era of music and the one before it.  So in my opinion Franz Joseph Haydn and his contemporaries of the first Viennese School hit that sweet spot.”  So you can imagine my excitement about this concert.  Vivaldi, Mozart, AND Haydn, it was like Christmas morning at the symphony.

Ye-Eun Choi

The concert began with Vivaldi’s Four Seasons and got better and better with each concerto.  Violinist, Ye-Eun Choi making her PSO debut played beautifully.  She showcased both energetic virtuosity and lovely lyric lines full of passion.  She is very young and demonstrates the technical capabilities and musicianship that will develop even more with time like a fine wine.  By the middle movement of Autumn the entire ensemble settled into a groove with smiles and acknowledgements to each other that capture the essence and intimacy of chamber music.  The music was gorgeous and full of energy, but it is taken to a whole other level when you can observe sincere enjoyment of the players.  It was fun to listen to and watch – Baroque music is fun and makes you want to dance, not like the electric slide, but you know a Gavotte, Minuet or Chaconne!

Nicholas McGegan

The concert was lead by world-renowned conductor Nicholas McGegan, and for the Vivaldi he did so from the console of the harpsichord.  It was a treat to see the work not only played beautifully but also in this configuration that would more than likely have been how it was performed back in 1725.  The only unfortunate thing was that the big, beautiful Heinz Hall kind of swallowed up the harpsichord.  McGegan evoked both the lush swells of passion-filled themes and clean precision, full of energy, from the small ensemble.  More impressive was his ability to quickly lead the shifts from one style to the other at the manic changes characteristic of Baroque music.

The second half of the concert began with a fun and stately Mozart ditty, Chaconne from Idomeneo, Re di Creta.  It showcased several contrasting sections that were each played with due flair.  The featuring of the woodwinds was really quite lovely.  The concert was capped off with Haydn’s Symphony #103 in E-flat major and was great.  Beginning with its nickname “Drumroll,” the work featured a neat timpani part and great wind passages.  A standout was the violin solo in the second movement by concertmaster Noah Bendix-Balgley.  I love hearing and watching him play; he makes it look and sound so easy.

Did I say I love this style of music?  It makes me feel like Agnes from Despicable Me when she expresses her excitement about the stuffed unicorn, “It’s so fluffy.”  It’s just so fun!  The music was expressive and energetic.  I would imagine the rehearsals were fun and productive, and I would have paid to see them too with McGegan’s commentary.  The PSO rocked it (Baroque and Classical style – you could say they barocked it) and I absolutely LOVED watching Nicholas McGegan conduct!

By:  Stephanie Sue Curtice

Good News and Cultural Reporter
PositivelyPittsburghLiveMagazine.com
RovingPittsburgher.blogspot.com
TheNewGirlintheBurgh.blogspot.com
(c) PositivelyPittsburghLiveMagazine.com 2014

Roving Pittsburgher Report - What's Up Doc: Review of the PSO's Bugs Bunny at the Symphony II Performance April 12th 2014

What’s Up Doc?
Review of the Pittsburgh Symphony Orchestra's Bugs Bunny at the Symphony II Performance April 12th 2014
From: Roving Pittsburgher Report and PositivePittsburghLiveMagazine.com
Written By: JoAnn R. Forrester, Host of Empress of Biz  |  April 13, 2014

Saturday night April 12, was FUN! It was a night of wonderful music with lots and lots of laughs and giggles from the usually pretty serious classical music crowd. We were treated to a multi-media experience of What’s Up Doc, “Bugs Bunny “ cartoons, witty dialogue and great music by the Pittsburgh Symphony Orchestra very ably led by guest conductor and co-creator of the Bugs Bunny at the Symphony II, George Daugherty.

George Daugherty brings an impressive resume to the Pittsburgh symphony. He is one of the classical music

world’s most diverse artists. His 3- year conducting career has included appearances with the world’s leading orchestras, ballet companies, opera houses and concert artists. He is also an Emmy Award winning creator and along with his producing partner David Ka Lik Wong created The Bugs Bunny Symphony tradition. He was a delightful host. His dialogue with the audience on the background of the music and cartoons was informative with a whimsical touch. A thoroughly charming man.

One of the things I did not realize, much of the music in cartoons was based on many of the classical composers such as, J. Strauss II, Wagner, Rossini, von Suppe’, Smetana, Liszt. Reading the credits from the cartoon was like a trip back in time, Jonny Mercer, William Hanna and Joseph Barbera, Chuck Jones, and Mel Balanc, the great voice of Warner Bros Cartoon. And of course the lovable wacky cartoon characters of Elmer Fudd, Daffy Duck, Porky Pig, Wile E Coyote, Tweety (I Tawt I Ta A Puddy Cat) Bird, Pepe Le Pew and the Penelope Pussy Cat were funny as ever.

George Daugherty

As the music and cartoons play I was flooded with memories of my childhood. A time when I went to the movies and was enthralled by an afternoon of cartoons and cowboy/ space invader monster/Tarzan of the Jungle. It was a simpler and less stressful time; NO cell phones, texting, and NO parents hovering over you, urging you to hurry, to rush from one activity to another. It was a time when I could walk to the local neighborhood show with friends. Go to a shopping district, that were alive and vibrant and filled with friendly people walking on sidewalks, and stopping in their favorite ice cream store, shoe store, grocery store, ladies dress store and buying what they needed. Back then, my neighborhood gave me a feeling of identity and security. If you lived in one of them you know what I mean. Today’s suburban sprawl with our mega shopping centers, frantic pace and a life built around the automobile racing from one event to another has taken a lot of that sense of belonging away.

In conclusion the night was delightful fun for young to old. All delighted by the antics on screen and being charmed by the music and conductor on stage… a delightful evening… and a secret trip back in time when it was all simpler.

Additional Performances:
Sunday, April 13th  |  2:30 PM  |  Heinz Hall

JoAnn R. Forrester

Written By: JoAnn R. Forrester
Host of Empress of Biz
Anchor Internet Radio Show on PositivelyPittsburghLiveMagazine.com

JoAnn R. Forrester is co-host of the Empress of Biz Talkcast and co-founder, president and partner in S. I. Business Associates, Small Business Solutions, LLC and Celebrate and Share. She is an entrepreneur, writer, business growth specialist, teacher, columnist and award winning writer. JoAnn specializes in helping small businesses grow and prosper. She is the co-developer of the PRICE IT PERFECT™ cost management system for small business, and has secured over 40 million dollars in loans and investment for her clients.

For more information visit Empress of Biz on PPLmag.com

Posted By: Stephanie Curtice
Good News and Cultural Reporter
PositivelyPittsburghLiveMagazine.com, RovingPittsburgher.blogspot.com, TheNewGirlintheBurgh.blogspot.com
(c) PositivelyPittsburghLiveMagazine.com 2014

Roving Pittsburgher Report - Oh My Stars, Sequins, and Symphony A Review of the PSO’s March 6th 2014 Pops Concert

Oh My Stars, Sequins, and Symphony
A Review of the PSO’s March 6th 2014 Pops Concert
From:  Roving Pittsburgher Report and PositivePittsburghLiveMagazine.com
Written By:  Stephanie Curtice  |  March 7th 2014

What I fun concert! I don’t know how else to start this review, other than that. I was seat dancing practically the whole concert and singing like a song bird all the way home. The Pittsburgh Symphony Orchestra and guest conductor Jack Everly presented “All That Jazz”, a musical montage of hits from Cabaret, Chicago, The Act, Kiss of the Spider Woman, New York, New York and more.

Jack Everly
(photo courtesy:
Michael Tammaro)

As the show opened with "Overture", I was thinking, with the Oscars having been just this past weekend, this sounds very movie-musicy sounding. (Yes, I have a music degree and that is a technical term, movie-musicy, well at least it should be.) Anyway, I knew we were in for a treat, because we would hear some of the most well known musicals in robust symphonic stylings. And then out came the singers to join in.

With a proper “Willkomen” from Ron Remke, the musical celebration of the songwriting duo Kander and Ebb was in full swing. Remke was joined by Nikki Renee Daniels, Ted Keegan, Pittsburgh native Kirsten Scott and Tony award-winning Beth Leavel. Though there were only five singers this was no park n’ bark stuffy concert. The audience was both dazzled by the singing stars and bedazzled by all the glitzy costume changes.

Ted Keegan, who has previously sung the role of the Phantom on Broadway, whisked us away with “First You Dream” from Steel Pier. His voice will make you melt. He later showed a light-hearted comical side singing “Mister Cellophane” from Chicago. He is phenomenal!

The girls started spicing things up with “Two Ladies” and “Everybody’s Girl” from Cabaret. One could totally see how Beth Leavel won a Tony. She is a total ham and your eyes will never leave her because she is such an entertainer on every level. The trio of gals kept the heat coming in the second half with “City Lights” from The Act and “Cell Block Tango” from Chicago.

John Kander and Fred Ebb
(photo courtesy:
Pittsburgh Symphony Orchestra)

While most of the music of the evening was upbeat, there was no mistaking the beautiful soaring voices of Nikki Renee Daniels and Carnegie Mellon graduate Kirsten Scott. Daniels beautifully performed one of the more tender pieces of the night, “Go Back Home” from The Scottsboro Boys. Scott sang gorgeously as well as showcased some sizzling and sultry dance moves in “Roxie” and “Hot Honey Rag” from Chicago.

The works of the super successful songwriting team John Kander and Fred Ebb have become contemporary musical classics. Their recipe of steamy and provocative story lines, snappy lyrics, and jazzy orchestration led to 5 decades worth of hit musicals and films.

Orchestras for musicals are normally much smaller, maybe to fit down in the close quarters of the pit. But, the PSO brought a robust and studio recording-like sound to these musical favorites, without sounding clunky. It was a great opportunity to hear snappy character and a jazzy side of the PSO’s playing.

Guest Conductor, Jack Everly made two promises to the audience at Heinz Hall - we would leave the concert happier than when we arrived, and though we would hear both songs we knew and some we didn’t, all would be great. He was absolutely right on both counts.

Additional Performances:
Friday, March 7th  |  8 PM  |  Heinz Hall

Saturday, March 8th  |  8 PM  |  Heinz Hall

Sunday, March 9th  |  2:30 PM  |  Heinz Hall

By: Stephanie Curtice

Good News and Cultural Reporter

PositivelyPittsburghLiveMagazine.com

RovingPittsburgher.blogspot.com
TheNewGirlintheBurgh.blogspot.com

(c) PositivelyPittsburghLiveMagazine.com 2014

Roving Pittsburgher Report - Science and the Symphony A Review of the PSO's The Planets- An HD Odyssey Feb. 7th 2014 Performance

Science and the Symphony
A Review of the Pittsburgh Symphony Orchestra's
The Planets- An HD Odyssey Feb. 7th 2014 Performance

From: Roving Pittsburgher and PositivePittsburghLiveMagazine.com

Written By: Sunita Pandit,  Host of Mrs. Cardiology  |   Feb. 08, 2014

Mrs. Cardiology believes we must control stress in our lives. So-o-o with Valentine's day falling on a Friday making a quiet relaxed evening with Cardiologist hubby Santosh Pandit a challenger. . .  Proactive Solution: I "preponed" Valentine’s Day by one week and took him to the Pittsburgh Symphony Orchestra for their performance titled: The Planets – an HD odyssey.

Manfred Honeck
(photo courtesy: PSO)

As always, the symphony played up to its stellar reputation under the graceful guidance of Maestro Honeck. They impressed hubby (who does not enjoy sitting still for a classical piece!). . .

His comments: "The performance was excellent! It was a very good experience… I enjoyed it thoroughly!" That's a mouthful of praise coming from a cardiologist. The video complemented the music allowing us to fully appreciate the intricacies of the composition. The NASA pictures kept us engaged with the music. I wonder if the PSO could use the video screen to show us the musicians that are sitting the back especially when they are actually playing the instruments? My husband and I could only appreciate visually the violinists…He especially would like to definitely see the rest of the orchestra. We hope the PSO arrangers are listening. Santosh hopes wife takes him for a post Valentine's Day date! Thank you to PositivelyPittsburghLiveMagazine.com for providing the tickets and giving us the opportunity to review this amazing musical odyssey.

(photo courtesy: PSO)

The concert opens on earth with "The Elements, a PSO commission and world premiere, five small pieces about Pittsburgh's land and history written by local composers for the PSO's Year of Pittsburgh Composers.

Bomi Jang's "Awake," is about Pittsburgh's dwindling urban forest. Ms. Jang used a water gong, rolling bass drum, scratchy strings piccolo to create musical pictures for the audience.

"Eliza Furnace," by Mathew Rosenblum, musically depicts Pittsburgh's iron mill workers effectively using metallic instruments, brass and percussion to capture the sound and effect of the inside of a working steel mill.

Amy Williams' chaotic "Flood Lines" auspiciously about the 1936 flood culminated in an almost upbeat piano solo.

Reza Vali's "Ravan," represented well the Youghiogheny River. We could almost feel the river dancing. And during all of these wonderful pieces NASA pictures allowed our imaginations to soar, "Where no man has dared to go."

Mrs. Cardiology a raving Starwars, Star Trek, Star-anything fan sat mesmerized. . .  Dang! I was expecting a star ship to show up. . . ‘Hailing Captain Pandit… this is the interstellar Star Patrol. Please respond. Your mother is looking for you… you are late for dinner!’ Ah sci-fi fantasy at the PSO. . .  I never thought I would experience it. Awesome! Out of this world! . . .  Ahem. . .

Just make sure you experience not only my favorite part but the rest of the story! We puffed our chests with pride of knowing that Pittsburgh boasts real live music composers this talented ‘who needs New York?’ What an extraordinary way to experience nuances of Pittsburgh life! Another notch in the Most Livable City on Earth! ET come home to the classics like no other place in the world!

Additional Concert Times:

Saturday, Feb. 8th  |  8:00 PM  |  Heinz Hall
Sunday, Feb. 9th  |  2:30 PM  |  Heinz Hall

Mrs. Sunita Pandit and
Dr. Santosh Pandit

Written By: Sunita Pandit
Host of Mrs. Cardiology

Anchor Internet Radio Show on PositivelyPittsburghLiveMagazine.com

Weekly program on heart tips not tricks garnered from Fireside Conversations with her cardiologist husband, Dr. Santosh Pandit.

For more information visit http://MrsCardiology.com

Posted By: Stephanie Curtice

Good News and Cultural Reporter

PositivelyPittsburghLiveMagazine.com

RovingPittsburgher.blogspot.com

TheNewGirlintheBurgh.blogspot.com

(c) PositivelyPittsburghLiveMagazine.com 2014