Showing posts with label Pittsburgh Good News Reviews. Show all posts
Showing posts with label Pittsburgh Good News Reviews. Show all posts

Monday, March 25, 2013

Afro Cuban Fever Hits Pittsburgh, Afro Cuban All Stars

Afro Cuban Fever Hits Pittsburgh, 

Juan De Marcos & The Afro- Cuban All Stars

by Martin Thomas and Helene Vidovich


Is it possible to be cool and hot at the same time? Usually there is a fever involved. Last thursday night was no exception at the August Wilson Afro-American Cultural Center. We were all taken by a fever of music from the Afro-Cuban All Stars. Band leader, arranger and producer Juan de Marcos started the evening declaring, "this is the first Afro-American Cultural Center we've ever played." The crowd cheered with Pittsburgh pride.

The group stemmed from the Buena Vista Social Club recordings that Ry Cooder and de Marcos put together in the early nineties. The cultural stir that the album created caused a resurgence of interest around the world for Cuban folk music and world bookings for de Marcos and the All Stars. It was no surprise when the band chose selections from the BVSC album including the crowd pleaser, "Dos Gardenias." The lead was sometimes tossed from performer to performer like a hot potato and other times more like Franco, hanging on tight, running to the end-zone. 

The All Stars ensemble 15 member line-up included vocalists, keyboards, piano, bass, congas, timbale and timbale set, clarinets, trumpets, fugelhorns and they all moved or danced during the entire performance and two song encore. De Marcos's orchestra entertained the audience subdividing the beats in ways you do not usually hear this far north. They encouraged us to clap on 1-and-3 and it didn't sound square. Although Martin and the more timid throughout the audience were reluctant to clap on those beats, it is hereby confirmed that they did clap (and dance) after all. The enthusiasm was infectious; the band brought the audience to their feet several times. Toward the end, we no longer needed our seats. They pulled children out of the audience to the stage which symbolized passing the torch onto future generations. The children danced with abandon while more children rushed the stage to join in. The band members just smiled and seemed to enjoy the exuberance. Then, the singers left the stage to sing and dance among the audience. They were like Pied Pipers with the most enthusiastic following them back up onto the stage. At the end of the concert the players came forward toward the front edge of the stage. It made us feel we were important to them.

It is notable that the most oppressed cultures produce the most joyous music. It appears the human spirit refuses to be held down; it will rear from the depths of the worst and rocket skyward to fly free. On a blisteringly cold night, many Pittsburgher's came out and were rewarded with the heat of the Caribbean. The only things missing were the ocean and palm trees.

Not professional reviewers just everyday Pittsburghers availing themselves of Pittsburgh Cultural and Dance Events by as Mark Freeman says,  "Being a Tourist in their Hometown."





Helene Vidovich, Freelance Cultural Reporter
Martin Thomas, Videographer ~ Troubadour

No Need for Interpreters--They Danced, Slask!




Niezwykle niesamowite!  Nie byliśmy gotowi do opuszczenia.  

Extremely awesome! We were not ready to leave.

by MartinThomas and Helene Vidovich

comments by Mary Thomas


Gladys Bailin, Martin’s dance instructor, used to tell him, "Stand up straight and look like a man.” Someone must have passed that bit of advice on to the Polish men.



In the first stop on their US tour, the performance of Slask, by the Song & Dance Ensemble of Poland, was quite amazing. 60 years ago, Stanislaw Hadyna started a company that would research and preserve Polish folk music, dance and costuming. One can only imagine the additional effect if we had been able to understand the lyrics. Based on our reactions to the other performance elements, one is tempted to learn Polish. There were over 1500 costumes for a troupe of 80. That is more than an average of 18 changes each. Some of the members were in the orchestra and/or performed on stage and some were mainly singers. Others sang while they danced and many were quite versatile in song and dance and appeared in a variety of the 29 selections. The show was sculpted from the musical overture, to the entrance of the dancers, and on, as the skirts flashed layers of colors when the women would spin, turn or twirl.



There were many "wow" moments from the use of costuming alone. Much of the clothing and head-dress or hats had several aspects and seemed to signify different cultural regions. The outside of the outfits might be ornate, have a layer of lace or embroidery, with the underside revealing a vivid red, lush lavender or robin egg blue. And then, there were the exquisite multi-layers of petticoats. The broad circling movements of the women manipulated aspects of their costumes that revealed the deep hues or stripes of different colors and patterns. Socks were sometimes added as contrasting layers.

A single decorative banner was displayed center-rear stage throughout the performance. The dancers would alternate facial expressions independently or en masse; they did not need the use of any sets or scrim to attract our attention. The view from the audience kept evolving, ebbing and flowing both in the scene and as a show. We knew it was the finale before the intermission and then again at the end.



As with most great music done with such efficiency, one is usually surprised how few parts there are. We were shocked at intermission when we looked in the orchestra pit and saw a minimal number of chairs and music stands. It sounded like a full orchestra. Also during intermission, we wondered how they could continue so exuberantly through another half -- especially in costuming. When the troupe came out in formal wear it made us smile and think, "that's how." Most of the songs were uplifting and enjoyable. The music was joyous, yet serious. Occasionally, the troupe would feature a soloist or duets that were sometimes done in a minor key, dark and dramatic. Red lights and shadows readied our hearts. It was a wonderful contrast.

The traditional tunes convey a sense of the traditions from the green pastures of Beskids Mountains and steep peaks of Tatras Mountains. Over the years, Śląsk have visited 44 countries on five continents and performed over seven thousand concerts to an audience of over 25 million. They performed for Pope John Paul II who was a patron of the troupe, and performed for him in the Vatican.



There was some extremely fast foot-stepping. The men had it tough on their knees dancing so low to the floor, kicking out and bending to-and-fro. One man even jumped using his own arm as the “rope!” You had to see it. The evening was similar to a day at an amusement park — lively, invigorating, lush with color, sights and sounds. We were not ready to leave when it was over. As Mary Thomas said, "Poland sent us their very best!"

Not professional reviewers just everyday Pittsburghers availing themselves of Pittsburgh Cultural and Dance Events by as Mark Freeman says,  "Being a Tourist in their Hometown."





Helene Vidovich, Freelance Cultural Reporter
Martin Thomas, Videographer ~ Troubadour

Sunday, January 20, 2013

Roving Pittsburgher Report: Les Miserables Transports Audiences from a Dark Time in History to Enlightened Theatre





Roving Pittsburgher Report:  

Les Misérables Transports Audiences from a Dark Time in History to Enlightened Theatre

by Good News Reporter, Joanne Quinn-Smith





When I arrived at the theatre on opening night I had not read Les Misérables in forty years and scarcely remembered the plot but that did not stop me from getting swept away in the songs, the music, the acting and the multi-media scenery.  The scenery alone will become legendary.  Cameron Mackintosh presents a brand new 25th anniversary production of Boublil & Schönberg’s legendary musical, LES MISÉRABLES, with glorious new staging and dazzlingly reimagined scenery inspired by the paintings of Victor Hugo.
One Day More (Photo by Deen Van Meer)

Set in the early 1800’s Les Miserables is a sweeping masterpiece that has been a record-breaking success worldwide since its London opening in 1985. Les Miserables has been translated into 21 different languages and been performed in front of more than 60 million people in 43 countries ... Here in Pittsburgh opening night was sold out.  At dinner before the theatre and on the way out the recurrent theme was how many times patrons had seen Les Miserables.  At dinner before the theatre I heard two people who were unrelated, one alone and one with her date talk about seeing the musical, 19 and 11 times respectively.

For those of you who are not familiar with the story it is set in 19thcentury France, during a time when the effects of the French Revolution are being felt on society. Social instability and poverty created the environment that shaped the lives of the characters. Jean Valjean is released from prison and breaks parole to start a new life. He embarks on a lifelong mission to avoid recapture and redeem himself.  This is a story of higher values, of love and self sacrifice and of character like Eponine(Brian Carolson-Goodman) rising above her upbringing to become heroic and to serve love.

The video screen background transported us to another world. The audience was drawn through a sewer tunnel and battle scenes.  This performance was truly a triumph of multimedia so realistic that the audience could hardly contain their amazement. The costuming was horribly realistic in places and absolutely elegant in others.

Master of the House (Photo by Deen Van Meer)
Although the theme was dark, there are comic interludes like Master of the House performed by the character Thernadier (Timothy Golan), his Wife (Shawna Hamic) and Customers of the Inn and of course Beggars at the Feast.  But truthfully it is worth the trip to hear the voice of John Valjean (Peter Lockyer) sing Bring Him Home and Cosette (Lauren Wiley) in Castle on a Cloud. 
One Day More done by the Chorale!  Well the Mendelssohn and Morman Tabernacle choir can barely compete.  Any ensembles done on stage were epic.  The scenery was majestic and the story line compelling.  There is still time with eight performances left to see Les Miserables  or to SEE IT AGAIN.
Fall of Rain/Death of Eponine (Photo by Deen Van Meer)
8 Performances Remain
  • Tuesday, January 22, 7:30pm
  • Wednesday, January 23, 7:30pm
  • Thursday, January 24, 7:30pm      
  • Friday, January 25, 8pm
  • Saturday, January 26, 2pm & 8pm
  • Sunday, January 27, 1pm & 6:30pm
Ticket information at:  http://trustarts.culturaldistrict.org/production/32852/les-miserables

Radio Host and Serial Blogger, Joanne Quinn-Smith is the host of PositivelyPittsburghLive™ Internet Talkcast and TechnoGrannyShow™  On her shows, Joanne has interviewed over 1800 guests.  As an advocate for small Business, she was awarded the National Small Business Administration Journalist of the Year Award.  She is also the publisher of PositivelyPittsburghLiveMagazine.com which is a 2010 National Stevie Award finalist for best Media Website or Blog. PPL Mag features the GOOD NEWS, about Pittsburgh  and is  Pittsburgh’s First internet radio and TV network. PPL Mag attracted 2.25 million visitors last year.  Her radio network has accumulated over one million listeners. The Creative Energy Officer of Dreamweaver Marketing Associates, Joanne also teaches her online media platform building to small businesses in a client personalized, “Web2.0 Gorilla Branding Training™”.  Connect with Joanne at:  http://joannequinnsmith.com

Monday, January 14, 2013

Spank, The Fifty Shades Parody or "Girls Just Want to Have Fun!"


SPANK!

The Fifty Shades Parody

Or…."Girls Just Want to Have Fun! Fun!

by Good News Reviewer, JoAnn R. Forrester

E.B., Tasha and fans after show!
Remember those words sung by Cyndi Lauper ...Girls just Want to have fun…well fun "the girls" did last night .  SPANK! The Fifty Shades Parody was FUN!  And I believe all those who saw it (sold out house at the Bynham) were ecstatic with the play. .  This was a night that only extremely brave men came out…and there were some.  I guess they wanted to find out what all the fuss has been all about with the "Fifty Shades Saga" …and I bet they are still wondering, but guys who are as suave and sexy as Patrick Whalen and you will have a very happy woman.   


The younger audience just loved Patrick Wayland
The audience, 98% women, was in an excited mood and they were looking for a "good time" and a GOOD time was had by all.  We laughed, we hooted, we cheered and we bonded with one another..  There were so many scenes filled with innuendos, body language and gestures that women could relate, understand and laugh about…it was great.  And we all understood them.  Women from their early 20's to women 70's or more, we all knew the score. For example, the "first night" scenario when Tasha and Hugh unite, make love, bond…"do it" and then Tasha’s bodies reaction the morning after…we all knew the experience and just hooted and laughed in empathy.
The opening scene with Patrick Whalen as Hugh Hanson strutting on stage and posing in various suggestive postures was a great hit.and really got the "ladies" going.  Patrick is a good looking man who knows how to play his lines and use his body language to thrill the ladies.  He has good timing and comic sense and is great fit for the part. 


And there were a few brave men!  Tasha and Fan after show!
Anne Marie Scheffler playing the part of E. B. Janet.the writer was "right on" and knew how to engage us and her characters  longing to create a fantasy that was completely out  of her average woman's life.  Her comic sense, body language, voice all got the part of the "happily married woman" being responsible and juggling all the myriad roles in life while really yearning for that wild fling.that fantasy where the man is there to please you…dominant her,chase her …be aloof…BE RICH…REALLY RICH and yet underneath vulnerable just waiting for her to tame him…to fulfill him.  You get the drift. Janet's writing the part that 99.9% of us never get to live, and we know it is not reality…but oh once in a while that fantasy creeps up and catches us and we got to see it , share it and laughe about it. 


Janet's alter ego, Tasha Woode, played wonderfully by Danielle Trzcinski was delightful.  She did the naive "virgin" Tashe with the right amount of innocence with the yearning to know more…more…and more.  Great comic timing!  She just engaged us from the beginning and reminded us of that time when you want to know everything…but it is also a time of being really scared of knowing everything, a  
Danielle played "the virgin" who enters into a relationship with an older more experienced DOMINANT man who teaches the thrill of it all.  And yet while she is being "thrilled" she is yearning for him to love her.  You know…the old song…will he grow to love me if I please him enough?  I want to know him…really know him…oh well we all know that answer.  At least in the play everyone ends up happy and our fantasies are fulfilled and we all happily bounced out of the theater.  The girls just want to have fun…and last night they did.

Roving Pittsburgher Good News Reporter, JoAnn Forrester is the Host of "Empress of Biz, Reinvent in Rugged Times," a business Talkcast syndicated on PPLMag, Pittsburgh's First Internet Radio and TV Network.  You can hear JoAnn and Business friends every Thursday at 9 AM on the TalkShoe network or archived later at:  http://pplmag.com  Jo Ann is also a regular business tip columinist at the Pittsburgh Business Times.

Saturday, January 5, 2013

What a Feeling! Flashdance, Musical Variety at its Best!


What a Feeling!

Flashdance, Musical Variety at its Best!

by Good News Reviewer, Joanne Quinn-Smith

Wow, what a feeling!   It has been a long time since I saw such an intense musical where the large cast and the solos, duos, trios and ensembles were all energetic, passionate and well choreographed.  Our personal favorite, Rachelle Rack’s “I Love Rock n Roll was FIERCE!  Although Alex (Emily Padgett), an 18-year-old welder at a steel mill in Pittsburgh as the heroine  made up the bulk of the story,  the three front line gals were phenomenal and a couple of times almost stole the show.  And this is not just because Rochelle Rack is from Pittsburgh.  


Alex also dances at a bar, fully clothed, along with her dance buddies Kiki (DeQuina Moore), Gloria (Kelly Felthous) and Tess (Rachelle Rak).  Having frequented the go-go joints with male buddies in my younger years I must tell you that all three of these gals would have been driving their own porches even  dancing with their clothes on.  The dancing was enticing, erotic and yet artistic and even the men in the audience could not argue with that.  Kiki’s (DeQuina Moore) Manhunt routine could have rivaled Gypsy Rose Lee in her heyday.  Also Gloria’s (Kelly Felthous) solo before going to work at the infamous Chamelion Club was reminiscent of the Blaze Star era of big time burlesque bravado.



Alex in the musical is helped to get into the Shipley Dance Academy by her elderly mentor and teacher Hannah (JoAnn Cunningham).  For the classical crowd there is some nicely done ballet during Alex’s fantasies of attending Shipley.  For the older crowd JoAnn and Alex did a very palatable soft shoe.  Hannah’s character was delightfully feisty and the real deal as far as being a pioneer in the dance field and expressing the passion of dancers.  And there is even break dancing for the hip hop crowd.  Quite frankly something for everyone as in the returning genre of Variety entertainment experiencing a resurgence because of   such shows as America’s Got Talent. 



My question about the casting is why in the world the writers and directors saved David R. Gordon as Jimmy’s singing until the latter part of the show.  What an endearing sweet voice and so surprising considering the whimpiness of his character.   His song “Where I Belong” was moving and beautiful.

The multimedia technology of the scenery was extremely artistic and matched the fast pace of this ginormous  musical using brief dance interludes to distract at the changing of what appeared to be holographs.



I have one complaint, Alex’s solo before her audition was much more intense and energetic and passionate than the last audition solo.  The audition solo lacked energy and was anticlimactic but considering the pace and the number of times Alex appears in both solos and ensembles one is not surprised.  Also truly it is hard to compete with the original dance solo in the 80’s movie by the same name and both the choreographers and Alex’s character may have been limited by the size of the Heinz Hall stage.

However after working all day and just getting over the holiday I was concerned about entering what seemed to be a packed house on Thursday evening if I could stay awake.  Well the show kept me awake and then some.  And unlike some reviewers have hinted about the 80’s nostalgia and warm and fuzzy feelings, truth is even the famous Alex sweatshirt could not make me forget that this was a totally new, totally energized and artistic production.  Also for the sake of art, do see the show because Alex’s shower routine though far too brief is both classic and perfectly done.  The ensemble and cast are to be complemented for their passion and energy.  This is not sedate entertainment so be prepared to be energized and uplifted.  There is still time to see the show at Heinz Hall, 2 PM and 8 PM, Saturday, January 5 and 1 PM and 6:30 PM January 6, Sunday.  



Kudos to cast producers, our Pittsburgh heart throb Nick Hurley (Matthew Hydzik) for entertaining Pittsburgh with a chic movie turned musical that could have gone in any direction but the direction it went was amazing and delightful entertainment with a capital E.  It may have been the Pittsburgh backdrop and how Pittsburgher’s support both their sports artists and entertainers but I prefer to think this is Musical Variety Entertainment at its best.



Additional information and tickets at:


Radio Host and Serial Blogger, Joanne Quinn-Smith is the host of PositivelyPittsburghLive™ Internet Talkcast and TechnoGrannyShow™  On her shows, Joanne has interviewed over 1800 guests.  As an advocate for small Business, she was awarded the National Small Business Administration Journalist of the Year Award.  She is also the publisher of PositivelyPittsburghLiveMagazine.com which is a 2010 National Stevie Award finalist for best Media Website or Blog. PPL Mag features the GOOD NEWS, about Pittsburgh  and is  Pittsburgh’s First internet radio and TV network. PPL Mag attracted 2.25 million visitors last year.  Her radio network has accumulated over one million listeners. The Creative Energy Officer of Dreamweaver Marketing Associates, Joanne also teaches her online media platform building to small businesses in a client personalized, “Web2.0 Gorilla Branding Training™”.  Connect with Joanne at:  http://joannequinnsmith.com